An effort to make LACA internal documents public. LACA Books include:
Blueprint drawings of LACA
Internal Roles Chart
Deed of Gift
Community Reading Group Bookmark
LACA Jingle Score
Emergency Contact List
Oral History Mission
Oral History Consent Form
Oral History Interviewer/Interviewee trust chart
Hoard Inagural Essay
Personal Archives 01
LACA Course Reader II
The second iteration of the LACA course reader with a focus on the spirit of the collector.
How Do You Archive the Sky?
Does Contemporary Art Need Museums Anymore
On the Mood of the Collector in the Digital Age
A Language to Come Japanese photography after the event$
LACA Course Reader III
The third and newest iteration of the LACA course reader focuses on marginalized groups left out of the the archive and implementing ethical strategies for archivists.
Ephemera as Evidence
Introductory Notes to Queer Acts
From Human Rights to Feminist Ethics – Radical Empathy in Archives
Reflexive Sociology Paris Workshop
Impetu No.1 – Tianguis Místico
Impetu No.1 brings together work by a group of Los Angeles-born and raised Latinx-Xicanx artists, illustrators, and researchers, invited by LACA to experiment with collectivity and fugitivity to contribute to new forms of cultural imagery. The group consists of Geani Sanabria, Yair Sarmiento, Rosalinda Meza, Aaron Edmundo, Ezequiel Olvera, Pablo Fernando, Efren Landeros, and Eduardo Robles.
The quarterly magazine will explore themes and concepts initiated through informal discussion, affective exchange, workshops, and risographic printing sessions. For issue No.1 Tianguis Místico, the collective’s subjective pluralities constellate notions of self-nurture, futurity, cosmology, transcendence, and eroticism through compulsive détournement, drug-induced scribbling, meditative jotting, lucid drawing, and satire cartooning.$
LACA Course Reader I
The LACA Course Reader is a collections of essays that mirror the mission of LACA. The reader’s do not accompany a course. LACA Course Reader I focuses on the institution as a producer of a shared cultural memory.
The Political Rationality of the Museum
Archives of Modern Art
Techniques of Forgetting? Hypo-Amnesic History and the An-Archive
Museums Managers of Consciousness$