Is a collection of 90’s rave flyers from Los Angeles Latino/a party crew scene and youth culture. By preserving these artifacts and memorabilia, Rosales deconstructs and reframes marginalized histories, offering platforms of conversation and agency of self-representation.
The Mountain School of Arts: The First Ten Years
Is a collection of 217 application essays submitted to the school between 2005 and 2015. The essays were colleced from the MSA’s incomplete archive, and are unedited but anonymized. They include both students who were “accepted” to the program, and those who were not.$
Autonomous Oral History Group Vinyl: Oral History of Young Chung and Patricia Fernández
Oral history of Patricia Fernández Carcedo and Young Chung by Autonomous Oral History Group founder Hailey Loman. AOHG is a cooperative examining ethics operating in leadership roles.
All interviews, recordings, transcriptions and ephemera collected during the process are assembled and made accessible as an oral history collection.
Produced on the occasion of Box (a proposition for 10 years) at Commonwealth and Council.$
Scott Benzel – ISBN 978-0-9913772-0-6
ISBN 978-0-9913772-0-6, Blank Verse
2009-2015, is a collection of poems composed by rearranging and collaging reviews and publicity materials into mostly metrical, unrhymed lines of blank verse, removing any form of attribution,
systematically ‘blanking’ the subject as well as the originator of each poem. The poems are credited as being a
number of well-known critics and art writers, presumably the writers of the originary texts.$
Impetu No.1 – Tianguis Místico
Impetu No.1 brings together work by a group of Los Angeles-born and raised Latinx-Xicanx artists, illustrators, and researchers, invited by LACA to experiment with collectivity and fugitivity to contribute to new forms of cultural imagery. The group consists of Geani Sanabria, Yair Sarmiento, Rosalinda Meza, Aaron Edmundo, Ezequiel Olvera, Pablo Fernando, Efren Landeros, and Eduardo Robles.
The quarterly magazine will explore themes and concepts initiated through informal discussion, affective exchange, workshops, and risographic printing sessions. For issue No.1 Tianguis Místico, the collective’s subjective pluralities constellate notions of self-nurture, futurity, cosmology, transcendence, and eroticism through compulsive détournement, drug-induced scribbling, meditative jotting, lucid drawing, and satire cartooning.$